Jay-Z – The Blueprint 3 – released September 11, 2009 on Roc Nation, Atlantic
Been rumored for quite a lengthy time, The Blueprint 3 has been long awaited. It’s one of those “surprises” Jiggaman keeps throwing at us that don’t really seem to pan out because his career moves are so analyzed that they become predictable. Much of that has to do with seniority, however, which could lead to a hit or miss to the latest installment of what is now a trilogy. Jay-Z could undoubtedly wrangle a good number of critics that would crown him as the most important MC of the last decade, but nearing age 40 and releasing his 11th studio album, his biggest competition is himself. That is a bit much to measure up to. Recently buying out his contract with Def Jam, this is his first LP on his own newly founded label, Roc Nation.
Listeners may be reluctantly fooled with the first few tracks into thinking there is semi-cohesion in the album. But truthfully, after “Empire of the State”, Blueprint 3 becomes a disoriented and intolerable mess. With the relative success of the first single “D.O.A. (Death of Auto-Tune)”, another single can be squeezed out with Kanye and Rihanna’s help on “Run This Town”. Alicia Keys’ vocals on the NY pride song “Empire of the State” complements Jay’s flow well, but following is a collection of work that is neither radio-friendly nor creatively commendable, becoming a mediocre mix tape at best.
The Blueprint 3 is predictable and doesn’t contribute to the revival of Hip Hop that Shawn Carter promised he would bring. The elite production and choice of collaborators can be admired, but for his stature, it’s a given. In fact, if it wasn’t for the resources he received as Hova, which were the most of any of his previous albums, the LP would be a complete disaster, instead of a reluctant disappointment.
Rating: 3/10


